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GQ
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Spring 2000
Relaxation
Uri
Geller's world of the strange Turn relaxation and laid-back attitude
into a winning formula Ian Doyle is a man with a problem.
His
prodigy, his uncut gem, his star-of-tomorrow, is possessed of
so much natural talent that Wolfgang Mozart would weep in envy.
But
the star is so laid-back, he's horizontal. Doyle's boy is a snooker
player. Like most of the graduates of Britain's pool halls, this
lad likes to unwind in a bar-room atmosphere. He doesn't smoke
and rarely drinks, but he enjoys a joke, he likes to hear the
gossip, he wants to know the footie scores.
Off
the baize, he's no more likely to talk about international snooker
than Iranian poetry. Poor Mr Doyle. When an undisciplined, natural
gift comes into contact with a focused, honed determination -
the kind of determination wielded by snooker's greatest-ever player,
Stephen Hendry - then the natural gift will evaporate. Won't it?
In
fact, it is the ultra-motivated, fanatically-focused player who
is more likely to turn to dust and be blown away at the table.
When the intensity gets unbearable, the most practised shot-potter
in the world can find that every stroke goes wrong. The harder
he tries, the more he misses.
Sports
psychologists call this 'choking'. And choking is an alien concept
to Mark Williams, 24-year-old protégé of manager Doyle.
Playing
at his peak, or having a bad day, his heart rate is the same.
There's no cold sweat, no hypertension. Williams was 9-6 behind
Hendry in the Benson and Hedges Masters, and came back to beat
him 10-9 on a respotted black. In the Regal Welsh Open last year,
the two went neck-and-neck together before Williams proved to
have the cooler nerve - and won 9-8.
Last
autumn, Williams proved beyond a doubt that his winning streak
was no lucky fluke, by taking the Liverpool Victoria UK championship
against Matthew Stevens 10-8. As I write, Mark Williams is provisionally
snooker's world No 1.
"He's
laid-back and it's not put on," says Ian Doyle. "Mark is so relaxed
and full of fun, regardless of what situation he finds himself
in. It's phenomenal. At first I thought it was a problem. Now
I've come to realise it's a gift."
The
psychology of choking in sport is almost mystical. Almost psychokinetic.
If there's a way to miss a shot, fluff a ball, foul a stroke,
the choker will find it. As the desperate determination to beat
this bad patch spirals higher, the more outlandish becomes the
choking.
The
classic example is Gareth Southgate's missed penalty against Germany
in the semi-finals of Euro '96. Fired up till he was white hot,
with the energy of the nation focused on him, this powerful footballer
just scuffed the ball feebly into the keeper's hands. Mark Williams
might not amount to much as a Premier League defender, but it's
easy to believe that, if the snooker star could have been called
to the spot at Wembley that night, he would have slotted the ball
nonchalantly into the net.
The
psychology of choking in sport is almost mystical. Almost psychokinetic
If choking is a problem for you, don't fight it head-on.
The
harder you try to focus your way out of the choker's zone, the
harder you make it for yourself. Choking is like a sports depression,
where frenzied efforts to dig your way out just dig you deeper.
Like the maze of depression, the choker's zone has no door out
on the ground floor - you just have to float out.
Relax,
stop worrying, let it sort itself out. Instead of going into the
game with 100 per cent dedicated focus - a technique which may
always have worked in the past - just go in to enjoy yourself.
Be yourself. Let's face it, you can't choke any worse by switching
to this easy-going tactic. And you will probably find what thousands
of sportspeople have discovered before you: "When I gave up worrying
and played for fun, my game came back."
And
if you're playing well but you feel that tension and anxiety are
sometimes robbing you of an extra two or three per cent, draining
energy that would be better applied to your game, here's a simple
exercise: Imagine all the knots of stress and anxiety in your
muscles. They are not painful - you just sense them dotted through
your body, boluses of energy.
Now
visualise them as red and blue rubber balls. They are dangling
in your back, your head, your neck, your stomach, your arms, and
you are about to release them. With a tug of a rope that runs
right through your chest, you undo the forces that bind the tensions
in your body. The balls go bouncing to the floor, scattering and
rolling away into invisibility. With that single tug on the ripcord,
your body is cleared of tension. You step out of this daydream
in a comfortable state of relaxation. Calling on the aggression
you have stockpiled during a tough week in the office is a big
energiser before a game. Many amateur players enjoy sport especially
because it burns off the tension of the daily grind - but anxiety
doesn't always translate into anger.
If
you are preoccupied or depressed your game will suffer. When you
need to relax immediately before a game, don't be afraid to try
a Mindpower exercise with your teammates around you. When you're
on the bench in the changing-room, pick a point on a vacant wall.
Stare into this point and feel all your consciousness flowing
out to it. Breathe your consciousness out of your body, leaving
only a state of relaxation and acceptance in your mind. In your
mind, hear yourself say: "I breathe anxiety out. I breathe relaxation
in. I breathe thought out. I breathe alertness in. I feel thoughts
flowing to the point. I see where my thoughts go. I do not follow
them. I am relaxed. Relaxation is filling my body like warm liquid.
I am blissfully relaxed. I am awake." This repetitive, mantra-like
meditation only needs to last a few seconds to bring a beneficial
state of relaxation into your mind and your game. Breathe out
worry. Breathe in confidence.Now pot that black.
Uri
Geller's novels Dead Cold and Ella are published by Headline at
£5.99. Mind Medicine is published by Element at £20 Visit him
at www.urigeller.com and e-mail him at urigeller@compuserve.com
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Winter 2000

Uri Geller's world of the strange
How to improve your body without lifting a weight and bust the y2k
bug
PEOPLE OFTEN
ASK ME HOW I DO telepathy. The simple answer is that I see a picture in
my mind, as vivid as the image on a cinema screen, and I can project anything
I desire onto it. The critical word is "desire" - the more I want it,
the sharper the image will be. Seeing that mental picture makes the possibility
more real.
Many sceptics say, "I'll believe it when I see it," but
the truth comes the other way round - sporting excellence only happens
when you have total faith in your ability to win and a crystal clear image
of what you're striving to achieve. In other words, "I'll see it when
I believe it." Believe in your desires and project them onto your inner
screen. Study them, and then the images will be imprinted on your memory
- ready for recall at the crucial moment.
Jack Nicklaus describes in his book Go!f My Way how he
runs every shot on his mental screen before he lifts the club: "I never
hit a shot, not even in practice, without having a very sharp, in-focus
picture of it in my head . It's like a colour movie. First I see the ball
where I want it to finish, nice and white and sitting up high on the bright
green grass. Then the scene quickly changes and I 'see' the ball going
there: its path, trajectory and shape, even its behaviour on landing.
Then there is a sort of fade-out, and the next scene shows me making the
kind of swing that will turn the previous images into reality."
And sports psychologist Jack Ludwig quotes a sports star
in a totally different field to golf. Larry Mahan is a champion bronco
and bull rider : "I try to picture a ride in my mind before I get on the
bull. Then I try to go by the picture."
Here's a great visualisation for body builders which any
athlete will enjoy doing:
Strip offand stand before a mirror. Study your naked body.
Look at the good parts and the bad, and take in areas which you might
prefer to pretend were different. Accept them as they are. Say out loud:
"This is my body. It's the only one I've got."
Imagine the mirror is magic. It can change your reflection,
moulding and shaping your figure into a perfect physique. The image before
you is liquid, a spectacular slice of special effects from Hollywood.
Your body is melting into god-like perfection - the ripples of extra weight
are becoming the firm, smooth plates of muscle you would love to see.
The dimples of cellulite are being replaced by silk-sheened skin. Muscles
are swelling, your chest is swelling, and every inch is firm and glistening
with health.
Now glance down at your real body. Incredibly, the improvement
has already begun. Just by visualising a better body, you have subconsciously
encouraged yourself to take up a better posture. When you focused on your
stomach, you drew in your muscles. When you looked at your chest, your
back straightened and your shoulders were pulled back. Your chin lifted,
you breathed more deeply, your legs and buttocks tensed up. You started
to stand with pride, as every athlete should. With a single thought, your
body grew healthier and more attractive.
If you can do that in a few moments, imagine the benefit
of daily visualisation sessions, over one month.
It's as easy as daydreaming. And when you put visualisation
to work for you in sport, it can be just as engaging, fun and relaxing.
instead of idle thoughts of tropical paradises, now you can visualise
sporting triumphs: see the ball fizz over the net, burning through the
empty space next to your opponent's racquet; hear the scream of your engine
as you execute a series of split-second gear changes through the chicane;
taste the ice-cold water as you grab a bottle from a cheering bystander
in the last mile of the New York marathon; feel the champagne as it splashes
over your tongue on the victory podium.
Note - every one of these visualisations is positive. Never
try to picture things going wrong, even as an experiment to work out how
disasters happen. These mind pictures work at a very deep level of your
subconscious, and a negative visualiser risks programming the brain to
engineer failure. Whatever sense you're using, it makes sense to focus
on the positive.
You can visualise at every natural pause in the game, the
way Nicklaus does in golf. And you can visualise in a single instant,
catching the wave of future events and surfing it a split-second ahead
of reality. Your mind is the most powerful tool in the universe. Use it.
Geller's novel Dead Cold (Headline £9.99); Ella (Headline, £5.99);Mind
Medicine (Element, £20). Visit him at www.uri-gollercom or you can e-mail
him at urigeller@peoplesnet.net.
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